Smithsonian Scientists Discover That Urban Songbirds Adjust Their Melodies to Adapt to Various Elements of City Life

Posted by Sarah Bloom Leeds on January 1, 2011


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Photos by Gerhard Hofmann. For images of these birds, visit the Zoo’s Flickr page.

Cities tend to be noisy places—people often have to adjust their tone of voice to be heard. A study published in November’s issue of Behavioral Ecology found that the same could be true for songbirds in urban areas. For the first time, researchers from the Smithsonian Conservation Biology Institute’s Migratory Bird Center analyzed how songbirds are affected by both general noise and the acoustics of hard human-made surfaces in urban areas. Their findings suggest that some species are altering their songs to adjust to either human-made noise or human-made objects, but the birds seem to have more difficulty altering their song in the presence of both.

“Animal vocalizations are specifically adapted to both the structural and acoustic characteristics of their local environment,” said Peter Marra, a co-author of the study and an SCBI ecologist and conservation scientist. Marra oversaw and helped design the research. “In order to survive and reproduce, it is imperative for birds to be able to transmit their signals to each other. Now it seems they may be having trouble doing so in urban areas.”

Ambient city noise masks certain lower sound frequencies, making it more difficult for birds to hear one another’s calls over long distances. In addition, hard surfaces—such as buildings—can reflect and distort higher frequency sounds by scattering sound waves and creating multiple reverberations. This affects how far the sound travels and changes the structure of the sound, which can make it sound very different by the time it reaches the receiver.

The results of the researchers’ analysis showed that although there was some variation by species, the birds tended to sing higher notes in areas where there was general noise. The birds tended to sing lower and deeper notes, however, in areas where there were many buildings and hard surfaces. But when the two conditions combined, the birds had trouble altering their songs to accommodate both factors.

“At this point we don’t know exactly how birds adjust their songs,” said Jenélle Dowling, an SCBI intern at the time the research was conducted and lead author of the study. “We expect different species, which differ in their capacity to adjust song frequency and song type, to respond differently to reverberation and noise.”

By vocalizing, birds are able to identify and locate other members of their species, attract mates and defend their territory. So their ability to adapt to urban living could affect their survival. As urban areas develop rapidly, researchers will continue to investigate how sound from these busy areas affects birds and the effects of development on sound transmission.

“This is just another example of how humans continue to impact wildlife,” Marra said. “We now need studies to determine if these changes in song translate into differences in reproductive success.”

This research was carried out in conjunction with the Smithsonian’s Neighborhood Nestwatch citizen science project, where participating citizens allow the researchers to use their property as study sites and volunteer their time to assist with data collection.

Dowling is currently a doctoral candidate at the Cornell Laboratory of Ornithology in Ithaca, NY. Marra advised Dowling. They worked in collaboration with researcher David Luther, who is a term assistant professor in the biology department of George Mason University in Virginia.

The Smithsonian Conservation Biology Institute plays a key role in the Smithsonian’s global efforts to understand and conserve species and train future generations of conservationists. Headquartered in Front Royal, Va., SCBI facilitates and promotes research programs based at Front Royal, the National Zoo in Washington, D.C., and at field research stations and training sites worldwide.

Here are Carolina wren recordings from an urban site and a recording of the same species at a rural site. You can hear the difference in the song pitch.

The first file was recorded at a noisy urban site, and the lowest pitch of this urban birds song is almost 700 hertz higher than the bird recorded at the quiet rural site. The noise level at the urban site was 10 decibels higher than the rural site. The urban bird also has a highest (or maximum) frequency that is 1600 hertz lower than the rural bird.

This nicely summarized the results of our study; the bird singing in the loud, urban area has a higher minimum frequency and lower maximum frequency than the rural bird. The increase in minimum frequency is thought to be an adjustment in response to human-made noise, while the decrease in maximum frequency is thought to be an adjustment in response to reverberation and scattering from hard surfaces in urban areas.

Urban Site

Rural Site

This article summarizes the information in this scientific paper:

J. L. Dowling, D. A. Luther, and P. P. Marra. 2011. Comparative Effects of Urban Development and Anthropogenic Noise on

→ Download scientific paper

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